What Bob Wore: A Sartorial Appreciation of the Notable Costumes Worn by Robert De Niro in Martin Scorsese’s Films
What Bob Wore: Home | About | Costumes by Type: Period Picture vs. Modern day | Costumes by Film Year | Costumes by Chonological Order |

All Eras

Period Film

Formal Wear

Musical Takes a Dark Turn

Hubris: The Aftermath of Fame

Casual Dress

V-Day Meet-Cute

In the Ring

Non-Period Film

Formal Wear

Rupert: Armchair Comedian in his Mother's House

Can't Take No For an Answer

Amateur Goes Rogue- And Kills It

Casual Dress

Tiny Hat Intro: Our first look at Bob in Marty's Films

Rakish grin, terrible hair

NYC Loner

We ARE the People

The Illustrated Man Behind Bars

Freedom

Stalking Continues

Loud Moviegoer

Can't Take No For an Answer

Film Details:

  • Film Title: The King of Comedy
  • Film Year: 1982
  • Character Name: Rupert Pupkin
  • Cinematography: colorFilm
  • Scorsese Cameo? true

Here is more information about the costume and how it informs the character:

  • Clothing Articles: Pastel blue corduroy 3 piece suit worn with blue dress shirt and white collar, accented with red necktie and matching pocket square;
  • Hairstyle: Proto-mullet
  • Props: Demo tape, naked ambition
  • Costume Style: Formal Wear
  • Facial Hair? true
  • Bare Chested? false
  • Tattoos? false
  • Headwear? false

Similar to his colorful suit in New York, New York, Bob uses bright, boldly-hued clothes to demonstrate the relentless nature of a determined, selfish character- this time Rupert Pupkin, who keeps coming back again and again to Jerry Langford’s office to secure a spot on the show. When the receptionists turn him away again and again, Rupert resorts to kidnapping Jerry. Given his own delusions of fame and talent, and his inability to accept reality, the bright colors don’t seem out of place in Rupert’s wardrobe.

Did you know? Scorsese said that he and Bob may have not worked together again for seven years because of the emotionally grueling nature of making this film. Additionally, Scorsese later admitted that making this film was an "unsettling" experience, in part because of the embarrassing, bitter material of the script. (via IMDb)

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